Grant Wood, New Road, 1939
National Gallery of Art, Washington DC
In the Nation's Capital
HUMAN AFFAIRS
Dialogues on events
that shape our world
MEMORY AND IDENTITY
Exploring our heritage
Testing our tradition
BEAUTY WILL SAVE
THE WORLD
Discovering the world
of arts: performances
and presentations
MEETINGS AT
THE CROSSROADS
Face to face with...
A place where roads meet. A time of change.
"If thou among the
eternal
Ideas art numbered,
which the eternal
mind
Deigns not should
e'er be clothed in
fleshly form,
And in frail human
frames
Learn with what ills
our mortal life doth
swarm;
Or if some other
earth be mine of
those
Innumerable worlds
wherewith heav'n
flames,
And, brighter than
the Sun, the nearest
star
Through kinder
atmosphere above
thee glows:
From here, where
days are brief and
skies soon darken,
To this, an unknown
lover's hymn, oh
hearken"

Giacomo Leopardi
"To my lady"
BEAUTY WILL SAVE THE WORLD
Discovering the world of arts:
performances and presentations
Talking Music


A listening guide to
MOZART’S REQUIEM
by Composer and Musician
Jonathan Fields



Friday March 30th , 2007
Cathedral of St. Matthew the Apostle
WASHINGTON, DC


Talking Music starts from the awareness that music
expresses the deepest longings of the human heart, and can
only be understood by allowing it to speak to our own
humanity.


















SPIRTO GENTIL CD SERIES


PHOTO GALLERY

DOWNLOAD THE PROGRAM


FROM THE OPENING
SPEECH:

"Talking Music" is the
proposal of a new way of
listening to music. The focus
of these talks is not to
deliver yet another esthetic
or musicological analysis of
a musical piece. Rather, the
emphasis is on discovering
the very foundation of music,
viewed as the most sincere
and moving expression of
human experience, of the
universal human desire and
expectation for beauty, for
happiness, for a mysterious
Other who will fulfill the
promises of the heart.  
There is a need felt by many
people to rediscover the
"extra dimension" of the
artistic experience, when it is
revealed, often
unexpectedly, as a true
prophecy of the ultimate
meaning of human existence
and history. It is not by
chance that "Talking music"
finds its inspiration in the
Spirto Gentil series of CD's
from Deutsche
Grammophon, which was
created and directed by the
late Msgr. Luigi Giussani.
Speaking of the role that
music played in his life and
in his pedagogical method,
he once said: "In music, in
nature's landscape, in a
dream, ...what man pays
homage to is something
else, something he is waiting
for: he is waiting for it.  His
enthusiasm is for something
that music, or whatever is
beautiful in the world, has
awakened inside him.  When
man "fore-sees" this, he
immediately bends his soul  
to wait for the other thing:
even in front of what he can
grasp, he awaits something
else: he grasps what he can
grasp, but he waits for
another thing."

Jonathan Fields is a
composer, music teacher
and lecturer who in his
career has explored many
regions of the musical world.  
After graduating first in his
class from Mannes College
of Music, he joined David
Horowitz Music Associates in
1982, where he has been
the award-winning composer
of hundreds of television and
radio spots. At the same time
he has composed a variety
of musical works spanning
multiple genres, including
film scores, soundtracks for
TV series, a mass, hymns
and many others. An
accomplished guitarist, he
has played in several bands
including  The Michael
Gordon Philharmonic, The
Glenn Branca Ensemble,
The Bay Ridge Band.  In
recent years he has been a
frequent lecturer and
musical educator, and the
author of several
publications  aimed at
introducing new audiences
to the world of classical
music, including some of the
listener's guide in the Spirto
Gentil series.  His approach
to music is the perfect
embodiment of the "Talking
music" philosophy, because
it starts from the awareness
that music expresses the
deepest longings of the
human heart, and can only
be understood by allowing it
to speak to our own
humanity.
“In music, in the panorama of nature, in
dreams at night, it is something else that man
pays homage to, from which he expects
something; he awaits it. His enthusiasm is for
something that music, or everything that is
beautiful in this world, has awakened within
him. When a person begins to feel this, his
soul immediately harkens to await the other
thing, even in the presence of what he can
grasp, but he awaits another thing.”

Fr. Luigi Giussani